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Documentary DreamTown Screening at Yale Feb 1 at 7pm

DreamTown Ecuador/USA. 2016 (Director Betty Bastidas)

Q&A with producer Giovanna Aguilar

DETAILS: Wednesday, February 1, 2017
7 p.m., Luce Hall Auditorium
34 Hillhouse Ave., New Haven 06511

 

 

 

Dreamtown is the inspiring story of three young Afro-Ecuadorian soccer players from La Chota who chase success in the face of extraordinary challenges. Entwined with their athletic dreams are the hopes of all Afro-Ecuadorians for whom soccer is more than a sport–it’s a means to attain recognition and respect.

http://dlgmedia.nyc/bettybastidas-dreamtown-soccer-unites-…/

Free and open to the general public.
Spanish with English subtitles.

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On Grant Writing: Top 10 Things to Consider When Submitting Grants

I Need $$$! Best Practices from Grant-Awarded Writer to Fund All Types of Programs

So, you are considering grants to fund your dream project or program. Perhaps you are a nonprofit, filmmaker or public school program in need of financial support. How do you begin the grant writing process? How do you bring to fruition your thoroughly researched idea?

January is not only for setting new year’s resolutions but also for planning your grant submission calendar. It is important for you to know that this is when most grantors restart their funding cycles.This represents an opportunity for you, but it must begin with a mix of preparation, patience and perseverance. Trust me, these three Ps are going to make all the difference in how you secure your first awarded grant — funds.

I got started writing grants by chance and out of utter necessity when one of my film projects, DreamTown, needed funding.

The director had sent me a previously submitted grant application that I wound up spending a couple of days rewriting expeditiously to beat the deadline. By the time it was completed, I had a severe migraine. My first tip to you: Do not do that – throw yourself into a tight deadline, especially the first time. It will deter you from the already draining process. Yes. It helped that I had a template to work from, which is essentially what your first application will be, a reusable document with key sections that include the project’s objectives, impact and budget.

Here’s the deal. I’m going to be straight with you. Whether you are writing the grant proposal yourself or hiring a professional, it takes work, a lot of work. Your job is to write effectively based on a strategy for your program. Let me reiterate this point, you must write based on a strategy for your program. This is nonnegotiable. You must have a strategy, a plan, in place, or a spin doctor-grant writer who knows your industry inside and out. Yes. I won’t lie. Luck and spin happen too.

Ultimately, though, securing grant funds is about selling your story to the grantor. And I must admit that filmmakers are deftly suited for this, which is why I am happily sharing insight into grant writing best practices that have worked for me across all types of programs. While the grant writing process is quite an arduous one, these 10 are a good start.

G’s —Top 10 Best Practices for Writing Winning Grants

1. Respect the Grant Writer. I start with this one because whether you are writing the proposal or hiring an expert, you will be asked to provide information. This is not an option. The sooner you get what is needed, the sooner the work can begin and be completed. For larger grant applications, you may be asked to provide audited financial statements, a tax exempt letter, and other pertinent documents or information. Respect the grant writer. There should be no chasing down for information.

2. Read the Grant’s Eligibility Requirements. Before you go any further, read the RFP’s or grant eligibility requirements. Go through the whole checklist and make sure they fund your type of program. For instance, will the grantor fund your project in your state? Is the grantor funding only STEM programs and yours is for dance? Does your organization need to be a 501(c)(3) nonprofit to apply?

3. Who, What, Where, Why and How. Go back to the basics of every story and be ready to articulate concisely and effectively the following, but be as specific as you can be:

Who Is your program or project going to benefit or target?
What is your program going to do?
Where will the program take place?
Why is your program so important that the grantor must fund it?
How will you ensure that you can do what you are proposing with the funding?

4. What needs funding? I know this is listed above, but you would be surprised how often the obvious question is the one that is least thoroughly considered. In my experience, this is a typical situation for public or government-funded programs, unfortunately. Wanting a lot of money, let’s say $100k, for the science department is not enough. You must present a program with defined objectives.

5. Be concise as you persuade the grantor to buy your story. Most applications are submitted via the grantor’s online platform. As a result, make sure your copy is not over each section’s character limit. I recommend using your handy Word count tool, as you go. Trust me. You will kick yourself at 11:58 p.m. when your application is due at midnight, and you have to cut 100 words from each section.

6. Are matching funds required? Yes? You will know this by reading the grant eligibility requirements, but I cannot stress how overlooked this one is. You will need to know how much the grantor requires to be matched i.e. 50%, 25%. You will be asked to provide this line item in the budget along with corroborating materials.

7. Request letters of support. If this is an option, get letters from your most influential supporters. Grantors are very interested in your resourcefulness, which also means you have a chance to brag about who you know and why they love you and your project. You can make the request easier by writing the letters yourself and sending them to your supporters for approval. Just make sure the letters are returned to you on company letterhead and with the appropriate signatures. This is common practice in the grant writing process.

8. What is your program’s impact? You can start by explaining the demographics of your target audience and how they will be positively affected or influenced by your program. This is where you really get to open up about the heart of your cause. Are you producing a story about an underserved, under-represented community? Research previously awarded grantees and study what type of impact they have had.

9. Prepare a realistic and thorough budget. Make sure you have a line-by-line budget of your project’s expenses and then get ready to write summaries of what each line means and how they all connect to the whole project.

10. Be patient and try and try again. Getting awarded a grant is ultimately like playing a numbers game that includes a mix of great storytelling, a program strategy and a justifiable, realistic budget. Grantors must be wowed by your proposal and be persuaded to trust you with their money. Note. As part of the numbers game, you can continue to tweak your living, breathing grant proposal, because that is what it will be. There is always room to color the story with another layer, shade, tint… OK. You get the picture. Each submission is an opportunity to improve your story.

On Vérité with Linda Lajterman on Her Son’s Death to Drug Overdose

A Mother Shares the Consequences of Her Son’s Death to Drug Overdose with the Hope to Prevent Others from Going through the Same Pain

Life After You- What Your Death from Drugs Leaves Behind

This was a tough story for me to work on. But I had to.

One thing is to read the CDC’s stats that indicate that every day there are 78 deaths from opioids, another is to be deeply touched by the reality that surrounds us. These are real, personal stories of loss for many families who we may know. And this could also be yours. It could be someone I know and love, too.

Yet too often we believe that our family dynamic may insulate us from such trauma. “How could a parent not know?” is the accusative question that too many unjustly ask. Well, do you remember being a teenager? I do. And till this day my parents do not know that I had an eating disorder for years. I hid that reality very well.

So many teenagers struggle in isolation with their own issues because they may feel disconnected from those closest to them and fear ensuing judgment or punishment should they open up about their problem. Then, of course, there is the jarring reality that is continually echoed in Linda Lajterman’s experience when she hears, “Drugs and my Kid? Never!”

Life After YouMy latest podcast is an interview with Linda Lajterman about losing her 19-year-old son Danny to a drug overdose. Linda shares why shortly after her Danny’s death she was motivated to write about her tragedy in the poignant letter Dear Friends, although intended for her local community, and how her words touched addicts and their families all over the world. The tremendous connection that so many people had to her story inspired her write the book, Life After You -What Your Death from Drugs Leaves Behind, which presents a sobering yet very real picture of death from a drug overdose and the aftermath that follows, such as in Chapter 5: Your Death and Chapter 6: Your Funeral.

Linda hopes her book, which also addresses long-term debilitating health issues due to drug abuse, can help our youth and families engage in open conversations. Her mission is to help those with drug addiction to seek help from loved ones instead of struggling in isolation.

She can be reached at www.lifeafteryoubook.com, and Facebook Life After You -What Your Death from Drugs Leaves Behind –  and Twitter at Lajterman23.

f6e94b_bf736c2b991248b89c7adfc04a9517caLinda is a member of the Family Advocacy Partnership (FAP), created by Steven Rogers, the Commissioner of Nutley, NJ, who invited me to facilitate this much needed support and resource group, to launch in August 2016. Family Advocacy Partnership is a network of family advocates whose experience with drug-related trauma will serve other families immediately dealing with a loved one’s drug overdose or a related health crisis.

Drug overdoses are an escalating problem within our national drug-related health epidemic. Between2000 and 2014 about half a million people died in the United States from drug overdoses. 2014 went on record as the year of the most deaths from drug-overdoses with most of them (6 out of 10) due to opioids.

For more stats you can visit the CDC’s Injury Prevention & Control: Opioid Overdose.

Giovanna Aguilar

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On Vérité with Emmy Nominated Director-Writer-Producer Reinaldo Marcus Green

On Vérité Top List:  “What do you wish you had known on your first independent film?”

Reinaldo Marcus Green, one of the 25 New Faces of Independent Film (2015) and recipient of the Spike Lee Film Production Grant 2016 (Monsters and Men,) shares best practices with Giovanna Aguilar on filmmaking.

On Vérité Top List for Independent Filmmakers is complementary content for an upcoming written article to be published on my blog at Giovanna Aguilar.

Watch Reinaldo Marcus Green’s acclaimed short film STOP—a young man’s livelihood is put to the test when he gets profiled and stopped by the police on his way home from practice, courtesy of Conde Nast’s steaming platform The Scene.

Giovanna Aguilar

HourGlass Gets ON YOUR FEET! FULL ACCESS with Gloria and Emilio Estefan and Jerry Mitchell

As the executive producer and co-host of the podcast HourGlass Time to Talk, I am proud and excited to release the promo of On Your Feet! Full Access, up-close and personal interviews that my co-host Maria Torres and I conducted with multi Grammy Winners Gloria and Emilio Estefan and Tony Winner Jerry Mitchell, who share their journey of bringing their story to Broadway and living the American dream. These upcoming episodes are especially close to HourGlass co-host Maria Torres who is also the associate choreographer for the show.

FULL EPISODES will be released soon that also include interviews in Spanish with Emilio and Gloria Estefan and On Your Feet’s choreographer Sergio Trujillo who joins Maria Torres on the segment—Kick, Ball, Change – Keep it Moving!

HourGlass On Your Feet! Full Access Credits

HourGlass is an original podcast production hosted by creators and producers Maria Torres and Giovanna Aguilar.

We would like to give a special thanks to all who made On Your Feet Full Access possible: Emilio and Gloria Estefan, Jerry Mitchell, the Nederlander Organization, the Marquis Theater, Christina Boursiquot and Mandy Tate from the Charlotte Wilcox Company.

In addition, we are very grateful to Elka Samuels Smith of Divine Rhythm Productions and our Grammy nominated musician/composer, Roman Rojas who were on location assisting with these recordings.

HourGlass’s original music is composed by Roman Rojas.

 

501(C) (3) Organization Certified Angels Begins Grant Funding Initiative for Youth Arts Center and Arts Program to Serve Adolescents in Passaic, NJ

Join me in supporting the non-profit 501(C)(3) organization Certified Angels whose mission is to provide a safe haven for adolescents in Passaic, NJ.

I am excited to share that I am working with Certified Angels to facilitate grant funding opportunities for the establishment of their proposed arts center at a designated location (to be secured) and to roll out a comprehensive after-school arts program with a career track that will serve children and adolescents living in the City of Passaic and surrounding communities.

Passaic is an underserved community that in 2013 had a population of 70,868, 71% Latinos, with a median household income of $37,332, or an estimated per capita income of $15,249. Certified Angels recognizes the tremendous financial need of the City of Passaic and the significance of offering arts programs in one of the poorest communities in New Jersey that without the foundation’s support would not be able to have access to theater, music and dance training.

Certified Angels supports after-school programs in the arts for youth as being highly effective tools to empower youth by giving them the opportunity to explore their creative, artistic sides, which in turn can complement youth’s self-esteem and confidence. Certified Angels’ vision is to incorporate a career track by offering dance, acting and music classes led by professionals in their respective fields.

Certified Angels is the brainchild of Founder and CEO Jessica Delacruz,

8ae6bc_8cb65c4cb1e94d2b9fb591954a634071Certified Angels is the brainchild of Founder and CEO Jessica Delacruz, who graduated from William Paterson University in 2014, where she received a B.A. in Psychology and Sociology. Delacruz has a passion for working with the youth of Passaic that began through her employment at organizations such as NJ After 3, the Boys and Girls Club of Passaic/Paterson, Urban Crisis Council Daycare, and the Passaic Board of Education.

Delacruz shares that Certified Angels allows her to fulfill her lifelong dream of “making a difference.”

Certified Angels Mission

Our mission is to create a safe space for our youth and children to find comfort in who they are, discover their talents and learn how to share them with the world. We focus on developing a healthy balance of mind, body and soul by encouraging creativity, physical activity and self awareness. Certified Angels is a non- profit that aims to create an atmosphere where our members feel embraced for who they are and supported in their journeys to become the best version of themselves

For more information visit, Certified Angels.

Ep. 3 HourGlass Talks with Talented Dancer-Performer-Arts Activist –

Paying It Forward through the Arts

Here is the latest episode of my podcast, HourGlass, an interview that my co-host and I conducted with Marina Micallizi, an inspirational young talent who shared her story about the importance of the arts for helping others.

In 2005 Maria Torres auditioned young dancers to take part in a Broadway style production number to be performed at Jazz at Lincoln Center for the Upfronts as part of the cartoon Class of 3000, based on Andre 3000 (Outkast)), and is blown away by a talented 10-year old—Marina Micallizi. Since then a mentor-mentee relationship has flourished, sparked by Maria’s passion to help Marina light up not only on the stage but also behind the scenes, leading Marina on her own journey to pay it forward by exposing others to the healing power of the arts. Marina believes that we each have the power to light the darkness and she hopes to create a better, brighter world.Marina credits as a performer include on Disney’s film Enchanted, the Broadway musicals How the Grinch Stole Christmas the Musical and Billy Elliot, and other notable productions as well as assistant to top choreographers such as Brian Friedman, Mia Michaels, Dave Scott, Laurie Ann Gibson, Chris Judd and Shane Sparks.

Hour Glass Time to Talk about the stories shaping the artist – an original Podcast created, produced and hosted by Maria Torres and Giovanna Aguilar

Episode #3: Interview with Marina Micalizzi

Music Theme: Roman Rojas

Editor: Parker Robinson
Episode 3# Sound Mixer: Carlos Berrios
In Studio Engineer: Peter Scozzari

Recording Studio: Madpan Productions

 

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